27 Mar

Posted at 17:49h in Film by

Summer love on a deserted island isn’t real life. That’s the Gordian knot in Bergman’s 1953 Summer With Monika. This erotic and heartbreaking film tells the story of two adolescents caught in the throes of an idyllic love. It’s a love they both long for, given their troubled and sad early lives. And also an escape from life’s current cruelty and reality; which they can’t ultimately avoid. We all complicate love by what we bring from childhood. Bergman was no different. In his films, he wove an unconscious self-analysis as Barbara Young (2015*) rightly says. So, I think we can easily...

18 Mar

Posted at 09:29h in Film by

“One sleeps in one’s childhood’s shoes,” Bergman remembers Swedish poet Maria Wine, saying, and “that was the real starting point of Wild Strawberries.” (p. 212*) It’s true. And, some live inside the echoes of a cold mother. Every psychoanalyst knows how our childhoods slumber within each waking and dreaming moment of our lives, creating their repercussions. Like Dr. Isak Borg’s loneliness. A loneliness predicated on the need to stop emotional time; so not to feel anything. As we travel with Isak back to his childhood home, we see the chilling effects of his cold mother (and too many siblings in the...

11 Feb

Posted at 01:53h in Film by

Grief is a complex thing. Each of us grieves in our own way and for our own reasons. Alfonso Cuaron’s  sensitive and compelling Roma, tells the story of Cleo, a domestic employee and her employer, Ms. Sofia. We follow two very different women linked together in parallel universes of betrayal and loss. Two women with polar opposite reactions to grief. Grief brings turmoil; in its crashing waves or subtle surges; threatening to pull us down like the sea’s dangerous undertow. Grief’s eruptions aren't easy to manage. And, there are various ways grief is either felt, faced; or is not. Cleo...

02 Aug

Posted at 10:54h in Film by

Middle School definitely sucks for many kids. It sucked for Kayla Day (Elsie Fisher) in her excruciatingly awkward (but at the same time sweet and hopeful) journey from Middle School to High School in Bo Burnham’s film Eighth Grade. Maybe it sucked for you. We see the obvious reasons in vivid Technicolor: the insecurities, the struggles fitting in; the fears of rejection; the uncertainties about “who am I?” It doesn’t help that there are mean kids and bullies to contend with. Yet, this isn’t the whole story. Teenage self-doubts have not so obvious roots in earlier childhood history. Not so sure?...

11 Dec

Posted at 08:00h in Film by

John Fitzgerald Kennedy (1917 – 1963) was assassinated in Dallas, Texas on November 22. 1963. I was sixteen years old when his murder was announced over the loud speaker in my high school English class. School was dismissed. I walked home along the train tracks with a close friend, both of us shaken by the suddenness of death. Leo Hurwitz’s Essay On Death speaks to death’s randomness. Of course, JFK’s murder wasn’t random, but the fact that death can come out of nowhere at any time means that we live constantly with the fragility of life. At the same time, we...

02 Nov

Posted at 11:25h in Film by

Where is home? That’s the complicated question at the heart of Garth Davis’ film Lion, for a lost, bewildered, illiterate, scared, traumatized, stoically brave, and lovingly gentle 5-year-old boy, Saroo (Sunny Pawar). This little boy accidentally finds himself on a train taking him far, far from home, where he can’t speak the language, and has no one to help him find his way back. As this touching, heart-wrenching, inspiring film unfolds; finding home is what a very determined Saroo Brierley (Dev Patel) will finally do – 25 years later. Lost Saroo and his older brother Guddu (Abhishek Bharate) set out one night...

26 Oct

Posted at 08:00h in Film by

Loneliness is a silent world. That world is the world Ben (Oakes Fegley), Rose (Millicent Simmonds), and Jamie (Jaden Michael) inhabit in Todd Haynes’ gorgeously filmed and sensitively rendered half-period piece, half-silent and all-around beautifully woven film Wonderstruck. Haynes draws on the visual; on images that speak louder than words, to tell the story of these children – Rose from an era 50 years before the 1977 story of Ben and Jamie. All three are searching for answers, for belonging, for someone to hear them, in a strangely confusing world of loss. What Ben, Rose, and Jamie find is more...

14 Jan

Posted at 21:39h in Film by

As much as I loved Alejandro González Iñárritu’s Birdman, I can’t say I felt the same about The Revenant. I know the film won big at the Golden Globes and has received Oscar nods for Best Picture and Best Actor. Perhaps that’s because a fantasy lives deep inside us about exacting revenge where we believe revenge is due. Still, spending close to 3 hours watching the agonies of a man who’s brutally mauled by a bear, who can’t catch a break, is left to die by supposed friends, and has to endure one gruesome circumstance after another became almost unbearably tedious. Yet,...

03 Dec

Posted at 00:34h in Film by

Home is where we start from. This truth, and the title of one of D.W. Winnicott’s books, captures much unspoken about the impact our families have on how we develop. What happens to us in those environments sets the tone for differing separation struggles we see in young people, including Eilis Lacey (Saoirse Ronan) the main character in John Crowley and Nick Hornby’s film, Brooklyn. For Eilis, an Irish girl transplanted to Brooklyn in the 1950’s, the severe homesickness that settles in arises out of the emotional residues of a difficult mother. A Difficult Mother Eilis’ only parent is her mother (Jane Brennan)....

29 Sep

Posted at 20:39h in Film by

M. Night Shyamalan’s new psychological horror film, The Visit, has twists and turns and unexpected surprises that I wouldn’t think of revealing. Of course, this film has one of Shyamalan’s shock endings – it wouldn’t be a Shyamalan film without it. But for me as a psychoanalyst, there’s something else of more interest. What this film’s characters tell us about the ability or inability to work out the sometimes very scary feelings of loss and guilt. In The Visit, we have a family – a Mom (Kathryn Hahn), a 15-year-old daughter, Becca (Olivia DeJonge), and a 13-year-old son, Tyler (Ed Oxenbould)...