Dr. Sandra Cohen, a Beverly Hills psychoanalyst, writes about your favorite film, TV, and book characters
and their real human problems.

Seeing is an art for Leo Hurwitz. He sees what others refuse to see. And, he never turns away from truths that need to reach the light of day. In The Art Of Seeing Series, we are once again privy to the depth of Leo’s capacity to see; how his carefully trained eyes become a sensitive witness to the details of daily life. Leo Hurwitz is a master at candidly capturing people and their surroundings. The question is: how many of us go about our lives in a state of oblivion; too caught up in the immediacy of our narrowed...

How do we find someone – the real person hidden inside? The one who’s been hurt/who struggles/who has his dark demons? How do we understand Hart Crane's suicide; the suicide of an otherwise talented, lively, vivacious, and successful young poet? Leo Hurwitz’s penetrating and poetic script and his camera (with the assistance of fellow cameraman Manfred Kirchheimer), follow John Unterecker, Hart Crane’s biographer (the 800 page “Voyager: A Life Of Hart Crane”), through Unterecker’s researches into Hart Crane’s life. In Search of Hart Crane is composed primarily of fascinating interviews with friends of Hart Crane – those who knew both the...

Cruelty and misunderstanding can make you a monster or a mute. Guillermo del Toro’s compelling allegorical fable, The Shape of Water, shows us that quite well. We can say all the obvious things about this multi-layered film set in its backdrop of the Cold War and a high-security government laboratory in 1962 Baltimore. There’s loneliness and loss; competition between the United States and Russia to have the first man in Space; fear, paranoia, dehumanization and exploitation of people and creatures. There’s the overriding do whatever it takes kind of brutality to be the one on top. Yet, there’s also that...

The Sun and Richard Lippold begins with Leo Hurwitz’s voice, reminiscing. “In the studio of Richard Lippold, where being a musician as well as a sculptor, he played Bach and Pachelbel for me, and where we talked for many hours, an idea came to me which is now this film.” This film, of course, is The Sun and Richard Lippold; a short film about the Sun, inspired by Richard Lippold, the artist, and his Sun. Lippold’s Sun began as a permanent installation in the Oriental Room at The Metropolitan Museum of Art in New York City, then moved to a larger...

John Fitzgerald Kennedy (1917 – 1963) was assassinated in Dallas, Texas on November 22. 1963. I was sixteen years old when his murder was announced over the loud speaker in my high school English class. School was dismissed. I walked home along the train tracks with a close friend, both of us shaken by the suddenness of death. Leo Hurwitz’s Essay On Death speaks to death’s randomness. Of course, JFK’s murder wasn’t random, but the fact that death can come out of nowhere at any time means that we live constantly with the fragility of life. At the same time, we...

Martin McDonagh’s darkly comic and deeply painful Three Billboards Outside Ebbing, Missouri gives us a tough look at how anger and blame is one (ineffective) way of trying to handle very difficult feelings. We have Mildred Hayes (Frances McDormand), a bereaved mom: hardened, blunt, feeling uncharacteristically helpless, and furious about it. The town’s much loved and dying Police Chief, William Willoughby (Woody Harrelson) has gravely failed, in her estimation, to pay sufficient attention to the brutal rape and murder of her teenage daughter. What else is there to do, but take matters into her hands? Then, there’s the counter-phobic, racist,...

Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the...

Forgetting is a dangerous thing. Yet we sometimes forget when remembering is too painful. Because we can’t, or don’t want to remember, history repeats itself. Freud knew this well when he discovered the repetition compulsion. But, I think the endnote of Leo Hurwitz’s The Museum and The Fury is the best reason for remembering. If we forget: “History is the echo of an angry scream.” Leo Hurwitz was meticulous about truth. He never forgot, even when the immediacy of the horrors of WWII were behind us. He knew (and he would see the dangers now in 2017) that many in our...

This Piece is Written By Manfred Kirchheimer with Edits By Tom Hurwitz The first tape recorders were stolen from the Nazis. Enter John T. Mullin and Bing Crosby. Just after the Allies’ victory in Europe, Mullin was investigating a rumored secret German radio-wave ray for the US Army. He came up dry on the ray, but found two portable tape recorders and a bunch of recording tape, both of which were virtually unknown outside of Germany.  Bing Crosby (no dummy) put up the initial investment to bankroll the Ampex Corporation and it’s line of tape recorders. A revolution was in the...

The Young Fighter begins with a tough Brooklyn narrator’s voice. Tough as the boxing world is tough, tough as Ray Drake’s manager and trainer are tough; tough as the decision Ray Drake had to make. Would he become the Champ his manager and trainer were bent on making, or the family man he also wanted to be? And, why did it have to be an either/or choice? In the fighting world, with the necessity of financial backing for the slightest chance at success, who owns Ray Drake - him or THEM? These questions are the centerpiece of Leo Hurwitz’s The Young...