26 Feb

Posted at 23:35h in Film by

Jordan Peele’s brilliantly conceived film, Get Out, does its job of shattering the myth that we are living in a post-racial America. My great uncle, Leo Hurwitz’s film, Strange Victory, tried to do the same in 1948 after we won the war against Hitler but came home to racism here. It’s now 70 years later and there’s still too much to be scared of. Peele says he made Get Out to face his fears. What’s he most afraid of? “Human beings. What people can do in conjunction with other people is exponentially worse than what they can do alone. Society...

04 Jan

Posted at 10:15h in Film by

Cruelty and misunderstanding can make you a monster or a mute. Guillermo del Toro’s compelling allegorical fable, The Shape of Water, shows us that quite well. We can say all the obvious things about this multi-layered film set in its backdrop of the Cold War and a high-security government laboratory in 1962 Baltimore. There’s loneliness and loss; competition between the United States and Russia to have the first man in Space; fear, paranoia, dehumanization and exploitation of people and creatures. There’s the overriding do whatever it takes kind of brutality to be the one on top. Yet, there’s also that...

23 Jun

Posted at 07:39h in Television by

LOVE – Is it real? What does it take to make it work? The Netflix series Love by Judd Apatow, Paul Rust, and Leslie Arfin raises some important questions. What takes an attraction farther than a romantic fantasy? What allows two people who’ve been hurt in the past to get beyond the fear of being hurt again? Sometimes we don’t know how to ask these questions. Sometimes we ask them after a relationship fails. Yet, there’s always a next time and it’s never too late to find the answers.In ten episodes, we get to know Gus Cruikshank (Paul Rust) and Mickey...

26 Feb

Posted at 17:58h in Film by

Steven Spielberg's powerful film, Bridge of Spies, asks some compelling psychological questions. Could there be two more different men than a Brooklyn lawyer in 1957 at the height of the Cold War and an alleged Russian spy – or are they different at all? And, if they aren’t, what is it exactly that forms an unexpected human bond in the face of hostile forces trying to bring them down? With James B. Donovan (Tom Hanks) and Rudolf Abel (Mark Rylance) that connection boils down to one complex thing: being A Standing Man. What it means to be A Standing Man is at the...

14 Dec

Posted at 07:10h in Film by

“Now the truth of the matter is that there are a lot of things people don’t understand. Take the Einstein theory. Take taxes. Take love. Do you understand them? Neither do I. But they exist. They happen.” - Dalton Trumbo Dalton Trumbo is right. Things we don’t understand do happen. And, some things we don’t understand invoke intense fear. Jay Roach and John McNamara's timely and historical film, Trumbo, illuminates the terrors set off by the anti-Communist hysteria of the late 40’s and 50’s. Out of these dark days of the Cold War came persecutors and their victims, evidenced in the...

29 Jun

Posted at 06:01h in Television by

The people of Wayward Pines can’t watch out now. It’s too late. But, it’s important to distinguish between an arrogant person and someone who wants to help. Arrogance gives you no Choices. There couldn’t be a more ironic title for Episode 6 of Wayward Pines. No one who ended up in Wayward Pines really had a choice. Did they? As Episode 6 unfolds, we see that everyone in Wayward Pines is a casualty of scientist David Pilcher’s (Toby Jones) arrogance. Either his grandiose ideas about a new “extraordinary life” seduced them. Or, they were strong-armed because they had no other options. Mostly,...

27 Mar

Posted at 19:39h in Film by

On the 25th Anniversary of Pretty Woman’s release, the question for some still remains: Does Pretty Women take the seriousness of prostitution and the misuse of vulnerable women too lightly? Or is there more to the film than that? As a psychoanalyst who just re-watched this spirited and poignant film, I think there’s more. Sexual exploitation is a grave issue. Yet that’s not the point of Pretty Woman. Certain critics might say it should be. But, the fact is - Edward (Richard Gere) and Vivian (Julia Roberts) rescue each other from some serious fears and fantasies about relationships. There’s quite a lot to learn...