Posts by Dr. Sandra E. Cohen
THE SHAPE OF WATER
Seemingly Magic Cures
Cruelty and misunderstanding can make you a monster or a mute. Guillermo del Toro’s compelling allegorical fable, The Shape of Water, shows us that quite well. We can say all the obvious things about this multi-layered film set in its backdrop of the Cold War and a high-security government laboratory in 1962 Baltimore. There’s loneliness…
Read More
LEO HURWITZ 1966
THE SUN & RICHARD LIPPOLD
Unifier & Transformer
The Sun and Richard Lippold (Watch Film) begins with Leo Hurwitz, reminiscing. “In the studio of Richard Lippold, where being a musician as well as a sculptor, he played Bach and Pachelbel for me, where we talked for many hours, an idea came to me which is now this film.” This film, of course, is…
Read More
LEO HURWITZ
ESSAY ON DEATH
IN MEMORY OF JFK 1964
“A very dangerous and uncertain world, the President said on that last day …” Leo Hurwitz’s Essay On Death (Watch Film) speaks to death’s randomness. Of course, JFK’s murder wasn’t random. But death can come out of nowhere at any time. And, that means we live constantly with the fragility of life. At the same…
Read More
THREE BILLBOARDS
OUTSIDE EBBING, MISSOURI
How Does The Buck Finally Stop?
Martin McDonagh’s darkly comic and deeply painful Three Billboards Outside Ebbing, Missouri gives us a tough look at how anger and blame is one (ineffective) way of trying to handle very difficult feelings. We have Mildred Hayes (Frances McDormand), a bereaved mom: hardened, blunt, feeling uncharacteristically helpless, and furious about it. The town’s much loved…
Read More
LEO HURWITZ
HERE AT THE WATER’S EDGE 1961
Seeing What Needs To Be Seen
Leo Hurwitz’s film, Here At The Water’s Edge (Watch Film), features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and…
Read More
LEO HURWITZ’S
THE MUSEUM AND THE FURY 1956
Remember The Dangers Of Fascism
Let’s remember the threats of fascism. Forgetting is a very dangerous thing. And, Leo Hurwitz’s film, The Museum and The Fury 1956, shows us why. Yet we do forget when we don’t want to see what exists on our own soil. Leo’s 1948 film Strange Victory details the seeds for fascism in America: racism, antisemitism, and…
Read More