Posts Tagged ‘sandra e. cohen, phd’
SELMA
How Does A Wife Overcome?
4 Essential Qualities
Many of us are talking about the timeliness of Selma in light of the tragic events in Ferguson, New York, and Ohio. The gripping message it has for all of us is to effectively garner our anger and fight injustice. Yet, director Ava DuVernay also has a passion for telling women’s stories. And, of course,…
Read More
FINDING VIVIAN MAIER
Wanting & Not Wanting To Be Found
The burning question in John Maloof’s poignant and heartbreaking documentary, Finding Vivian Maier is this: did she want to be found? As a psychoanalyst with years of experience working with similarly troubled and traumatized patients, I’d have to say yes and no. There were two sides to Vivian Maier; some saw one, some saw another; some…
Read More
AMERICAN SNIPER
What Makes A Soldier
Go Back For More … And More
Clint Eastwood’s American Sniper tells the story of parental directives that live on long past childhood just as much it tells the horrors of war and its psychological costs. Chris Kyle can’t be a sheep and he certainly can’t be a wolf preying on the innocent. His dad would kill him for that. But, “finishing”…
Read More
WHIPLASH
Why Cruelty is Not The Winner
“I don’t want the Raisinettes, I just eat around them” … that’s what Andrew Neiman, in Whiplash, does with the hurts in his life. That’s what he tries to do with jazz teacher Terrance Fletcher’s demeaning and crude sadism in this psychologically riveting film. Fletcher’s cruelty has its hook and he finds it in Andrew’s…
Read More
BIRDMAN
The Voice In His Head
Truth Or Dare, Friend Or Foe?
What do we talk about when we talk about someone losing his grip on reality? When it comes to that question, Alejandro G. Iñárritu’s brilliant film, Birdman, is meaty stuff for a psychoanalyst like me. Riggan Thompson, former action hero, has-been, failed husband and father, is struggling to change his life – against a Voice…
Read More
THE GRAND BUDAPEST HOTEL
What Fake Personas Cover-Up
Why does someone create an illusion of who they are? Wes Anderson, a master of psychological ironies, tells us quite a lot about that subject in The Grand Budapest Hotel. At the center of the film is M. Gustave trying to live as someone he is not. All around him are juxtapositions of barbarism with…
Read More