We’re left with more questions than answers at the end of the premiere of John Ridley’s American Crime. Of course - we’ve only just begun. Yet, we start to realize that each main character has complicated secrets that must be uncovered in order to make sense of what’s happened. For me, as not just a viewer but also a psychologist, meeting these characters for the first time is a lot like having a first session with a new patient in therapy. There are relationships gone wrong  - similar to Russ (Timothy Hutton) and Barb (Felicity Huffman). There are things like Carter’s (Elvis...

What do we talk about when we talk about someone losing his grip on reality? When it comes to that question, Alejandro G. Iñárritu’s brilliant film, Birdman, is meaty stuff for a psychoanalyst like me. Riggan Thompson, former action hero, has-been, failed husband and father, is struggling to change his life - against a Voice in his head that swings back and forth between the old allure of grandiose self acclaim or ripping self criticism. That Voice – who at first is unidentifiable, turns out to be Birdman, his claim to stardom in the movie business. That Voice is the teetering...