We’ve all been intrigued with Stanley Kubrick’s Lolita since the classic film arrived on the scene in 1962. But, isn’t the burning question: Is there more to understand about Humbert and Lolita beyond, “he’s a pedophile and she’s a troubled 14-year-old seductress?” The answer is yes, there’s plenty. Believe it or not, both have pathological reactions to loss. Pathological is not a surprise, I’m sure. But, perhaps loss is. So, let’s look more deeply into the not so simple histories that have brought about Humbert and Lolita’s very disturbed longings and behavior. Making them unable to grieve. Professor Humbert’s Mother Loss Humbert...

Hanging himself wasn’t Jackson Maine’s fault. Nor was his drinking. Yes, his brother Bobby said to the heartbroken, Ally: “It was Jack; not you; not me; Jack and no one else.” But, that’s because he didn’t understand. And, really, Jackson had the right idea: “A song is only an octave. Twelve notes and it repeats. Over and over forever.” Yet, that’s not only what happens in a song; it’s also in the musical undertones that play inside a life; octaves of the past; singing their haunting song. Only sometimes you can’t hear the words; especially when your trauma is in...

John Thomas Anderson has done it again. He’s a master at exploring the various kinds of perverse power games involved in problems with dependency and love. Anderson’s new film, Phantom Thread, is another brilliant character study to add to Boogie Nights, Magnolia, The Master, and Inherent Vice (to name a notable few). In Phantom Thread, burning at the heart of the sick game Reynolds Woodcock (Daniel Day Lewis) and his Alma (Vicky Krieps) play, we wonder once again: who’s the one in power? And what is the need for it? Plus, we also can’t escape asking: what exactly is the...

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