15 Mar

Posted at 22:24h in Television by

When attachments go wrong in early life, you have to toughen up. But is feeling nothing "The Way?" If you thought it was, what does it take to break free and allow love? This was the question for Anakin Skywalker in Star Wars and it’s the question for Mando, The Mandalorian, who also lost his beloved parents when he was a small child: Is love safe? Love isn’t safe when your early attachments go wrong. And Jon Favreau’s continuation of the Star Wars saga in his Disney+ series, The Mandalorian, tells this story once again. Yet, the series leaves us having to question if feelings like...

06 Jun

Posted at 11:56h in Film by

Reverend Tomas Ericsson is a man who cannot grieve. And, because he can’t, he struggles with both God and love. Tomas over and over coldly rejects his desperately loving former lover, Marta. Winter Light Ingmar Bergman 1963, slowly reveals the source of his loss of faith. Tomas loved his dead wife: “When she died, so did I.” This is a bitter man. Turned dead inside. Dead to his parishioners, his previous faith, the possibility of new love. Dead to a young congregant in despair who turns to him in terror for words of hope. All of this spells hopelessness and...

08 May

Posted at 12:25h in Film by

We’ve all been intrigued with Stanley Kubrick’s Lolita since the classic film arrived on the scene in 1962. But, isn’t the burning question: Is there more to understand about Humbert and Lolita beyond, “he’s a pedophile and she’s a troubled 14-year-old seductress?” The answer is yes, there’s plenty. Believe it or not, both have pathological reactions to loss. Pathological is not a surprise, I’m sure. But, perhaps loss is. So, let’s look more deeply into the not so simple histories that have brought about Humbert and Lolita’s very disturbed longings and behavior. Making them unable to grieve. Professor Humbert’s Mother Loss Humbert...

08 Sep

Posted at 20:09h in Theatre by

Loss can be a dead place. If you move forward, you’ll know the person you love is gone. As I sat spell bound in the Majestic Theater watching the brilliant performances of James Barbour as Phantom and Julia Udine as Christine Daad, I knew that The Phantom Of The Opera isn’t only the story of a bitter, jealous, love-starved freak that believes he can only get love by possession and threat. At a much deeper level, it’s the story of an orphaned girl in the grips of a phantom father. A father she can’t grieve. When a loved one dies, mourning...