THE WOLF OF WALL STREET
No Friends In A World Of Greed

Martin Scorsese’s The Wolf Of Wall Street is an indulgently voyeuristic picture of MORE, MORE, MORE, (we call it Greed), at every level. Money, sex, drugs – there’s no stopping the film’s main characters, Jordan Belfort (Leonardo DiCaprio) and his cohorts, from their purely hedonistic pursuits. And, yet, that’s still not enough. Is Martin Scorsese…

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AUGUST: OSAGE COUNTY
Is A Mother’s Hate Survivable?

 A mother’s hate inflicts the worst kind of suffering. There’s not one child among the main characters in August: Osage County who escapes. Not Violet, not Mattie Faye, not Barbara, Karen, Ivey, or even little Charles. Most of the film’s immediate suffering is at the hands of Violet Westin, the cruel matriarch of the Westin family.…

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You Think This Movie is About SAVING MR. BANKS? Oh, Dear…

Saving Mr. Banks takes many of us back to delicious childhood memories of Julie Andrews and Dick Van Dyke singing “Jolly Holiday,” “Supercalifragilisticexpialidocious,” “Let’s Go Fly a Kite,” and “A Spoonful of Sugar Makes The Medicine Go Down.” Yet, what we couldn’t know as children is the heartbreaking story behind PL Travers’ Mary Poppins; a trauma…

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ENOUGH SAID
When Eva Meets Albert…A Relationship After Divorce?

If you’re a divorced or divorcing woman, you can probably relate to Eva’s (Julia Louis-Dreyfus) struggle to open her heart to Albert (James Gandolfini) in Enough Said. Readiness for a relationship after a divorce is not easy for many reasons. But, what undermines a post-divorce relationship faster than anything else is fear. Especially fear that comes…

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BLUE JASMINE
Why A Character Is Unreal

What happened to Woody Allen in his film Blue Jasmine? This prolific filmmaker is well known for creating quirkily neurotic yet lovable characters—even characters with depth. However Jasmine French, the lead character in Allen’s latest film Blue Jasmine isn’t one of them. Jasmine, a Chanel-clad, Park Avenue socialite whose gilded life is unraveling before her, is…

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CAPTAIN PHILLIPS
Can Violence & Empathy Coexist?

I grip my armrests. As Captain Phillips begins, the theater becomes the USS Maersk Alabama. We, the audience, are the crew, stormed by Somali pirates bent on winning their power battle no matter what. It’s terrifying, and Paul Greengrass’s riveting documentary-style film Captain Phillips makes that terror almost unbearable. But there’s more to the film than…

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