WILD STRAWBERRIES
(Ingmar Bergman 1957)
Cold Mother Stops Emotional Time
& Sentences A Boy To Loneliness

“One sleeps in one’s childhood’s shoes,” Bergman remembers Swedish poet Maria Wine, saying, and “that was the real starting point of Wild Strawberries.” (p. 212*) It’s true. And, some live inside the echoes of a cold mother. Every psychoanalyst knows how our childhoods slumber within each waking and dreaming moment of our lives, creating their…

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LEO HURWITZ
IN SEARCH OF HART CRANE 1966
Reflections On His Suicide
& His Childhood

Leo Hurwitz In Search of Hart Crane His Suicide & His Childhood

Leo Hurwitz’s penetrating and poetic script and his camera (with the assistance of fellow cameraman Manfred Kirchheimer) (Watch Film), follow John Unterecker, Hart Crane’s biographer (the 800-page “Voyager: A Life Of Hart Crane”), through Unterecker’s researches into Hart Crane’s life. In Search of Hart Crane is composed primarily of fascinating interviews with friends of Hart…

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ELLE
Trauma & Perversion
Where Does Triumph Come In?

Trauma. We know it. We experience it. We’re left with its aftermath – when Director Paul Verhoeven’s “noir thriller,” Elle, careens to its conclusion. Leaving the theater, my mind was spinning.  As Verhoeven says, the film has: “an enormous amount of ambiguity, gaps that are in the narrative on purpose for the audience to fill in.”…

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EMMY FOR JON HAMM?
Yes! For Portraying
A Traumatized Man

Jon Hamm deserves an Emmy for Don Draper. I agree with Variety’s Debra Birnbaum about that. But, I find it unfortunate that voters would only now consider awarding him that Emmy. As Birnbaum wrote, Jon Hamm likely hasn’t won in the past since “Don Draper … was a cheating husband, a neglectful father, an unapologetic…

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