18 Feb

Posted at 04:46h in Film by

Hanging himself wasn’t Jackson Maine’s fault. Nor was his drinking. Yes, his brother Bobby said to the heartbroken, Ally: “It was Jack; not you; not me; Jack and no one else.” But, that’s because he didn’t understand. And, really, Jackson had the right idea: “A song is only an octave. Twelve notes and it repeats. Over and over forever.” Yet, that’s not only what happens in a song; it’s also in the musical undertones that play inside a life; octaves of the past; singing their haunting song. Only sometimes you can’t hear the words; especially when your trauma is in...

23 Feb

Posted at 01:59h in Film by

Each time I watch a film, my psychoanalyst’s mind begins to construct the same kinds of understandings I might give to my patients. Here is a recap of my psychological thoughts on tonight’s Oscar Best Picture Nominees and a few films in other Categories. 2015 has been a great year for actors and directors at their very best. BOYHOOD:  Feeling Stuff Is The Point Of Life … Linklater’s interest in realities underscores the fact that life is anything but seamless - a pretty harsh and at times discouraging truth. But, the director also gives us a not-insignificant take-away gift voiced by Mason...

17 Feb

Posted at 08:15h in Film by

Clint Eastwood’s American Sniper tells the story of parental directives that live on long past childhood just as much it tells the horrors of war and its psychological costs. Chris Kyle can’t be a sheep and he certainly can’t be a wolf preying on the innocent – his dad would kill him for that. But, “finishing” the boy who picked on his brother? That’s what his dad expects: “Good. Then you know your purpose.” His purpose: to be a sheepdog hunting down the enemy. Not a sheep. A sheep is weak. Weakness is not tolerated – not inside Chris Kyle....

31 Jul

Posted at 04:11h in Film by

AMERICAN HUSTLE — David O. Russell’s American Hustle is a cinematic treatise on the complexities of survival. Irving Rosenfeld, Sydney Prosser (AKA Lady Edith Greensley), Richie DiMaso, and Rosalyn Rosenfeld are each, in their own uniquely perverse and destructive ways, just trying to survive. But, are they? If we remove ourselves from the intrigue of the hustle itself (based upon the FBI Abscam operation of 1980), what exactly can we learn about this particular brand of self-serving (or should I say, rather desperate) psychological survival? Each member of this troubled cast of characters is trying to “survive” the limits of their real identities. As Irving...

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