WILD STRAWBERRIES
(Ingmar Bergman 1957)
Cold Mother Stops Emotional Time
& Sentences A Boy To Loneliness

“One sleeps in one’s childhood’s shoes,” Bergman remembers Swedish poet Maria Wine, saying, and “that was the real starting point of Wild Strawberries.” (p. 212*) It’s true. And, some live inside the echoes of a cold mother. Every psychoanalyst knows how our childhoods slumber within each waking and dreaming moment of our lives, creating their…

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ROMA
Betrayal & Loss
2 Ways Of Managing Grief

Grief is a complex thing. Each of us grieves in our own way and for our own reasons. Alfonso Cuaron’s sensitive and compelling Roma, tells the story of Cleo, a domestic employee, and her employer, Ms. Sofia. We follow two very different women linked together in parallel universes of betrayal and loss. Two women with…

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THE REVENANT
Humanizing Revenge

As much as I loved Alejandro González Iñárritu’s Birdman, I can’t say I felt the same about The Revenant. I know the film won big at the Golden Globes and has received Oscar nods for Best Picture and Best Actor. Perhaps that’s because a fantasy lives deep inside us about exacting revenge where we believe revenge…

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THE GIRL ON THE TRAIN
What’s In An Obsession?

Paula Hawkins’ New York Times bestselling novel, The Girl On The Train, gives us Rachel – a girl obsessed. There’s no question this novel is a mind-bending murder mystery par excellence. But, for me as a psychoanalyst, it poses a more interesting question. What’s behind Rachel’s obsession? Rachel Watson rides the train every day. She…

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