Film
HOME FOR THE HOLIDAYS
Family, Sibling Warfare & Love
Holidays are getting close and they’re complicated enough without COVID-19. Now you have to think twice (or, at least for different reasons) whether you can risk going Home for The Holidays. The usual question is: Do you want to go home to family, with all the quirks, neuroses, and old sibling warfare that Jodie Foster’s…
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THE MANCHURIAN CANDIDATE (1962)
A Narcissistic Mother & Her Child’s Soul
A narcissistic mother uses her children. She controls them, starves them of love. In John Frankenheimer’s The Manchurian Candidate (1962), that’s Eleanor Shaw Iselin, Mother of lead character Raymond Shaw. Raymond is convinced: “I’m not lovable.” No wonder he has enough hate to be brainwashed to kill. “Yes, Mother,” “Yes, Ma’am, and “Yes, Sir” govern his…
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GROUNDHOG DAY (1993-2020)
What Does It Take To Get Out
Of A Very Bad Negative Rut?
Do you feel like poor Phil Connors (Bill Murray) – stuck repeating the same day over and over again? COVID-19 quarantine can do that. It’s been 27 years since Harold Ramis’ Groundhog Day hit the theaters for the first time. But 6 months probably feels long enough. If you’ve been ruminating about your love life…
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THE LAST TREE
“I’m Sorry” Helps A Boy
Children need secure love. Not broken promises. Or, betrayal. Especially not abuse. When that happens to you, you build hard walls around yourself. Shut down to love. Not believing it’s there. That’s Femi. Small boy, turned teenager in Shola Amoo’s powerful, semi-autobiographical, The Last Tree. And, when “going tough” means turning against needing anyone, that…
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NEVER RARELY
SOMETIMES ALWAYS
Secret World Of Sexual Abuse
Watching Autumn’s cautious troubled face in the quietness of Never Rarely Sometimes Always draws us into the dark shattered life of a traumatized girl. If she’d let us in. Autumn lives behind walls. Alone. Vigilant. Angry. Always afraid. Can’t allow help: “I’ve got it.” People aren’t to be trusted. That she’s learned. If you think…
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SHE DIES TOMORROW
What Makes This Conviction Unshakable?
The Real Culprit Is Loss
“I’m Ok. I’m Not Ok. It Just Is” (Is it?) You try to reassure yourself, but you can’t. Then you try to accept it. Whatever it is. In Amy Seimetz’s She Dies Tomorrow, that it is death. But, why tomorrow? Why is Amy’s (the character’s) conviction so unshakable? And contagious? Sure, we have the pandemic…
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