Film
CABARET
How Quickly Freedom Disappears
It’s frightening how quickly freedoms can disappear. The question is: Why is it sometimes hard to see the complicated forces, in the outside world and living inside us, that want to deceive us if we aren’t aware. What blinds us can make us vulnerable. Cabaret is a powerful and disturbing illustration, plus a startling reminder,…
Read MorePERFECT DAYS: When “Now is Now” Isn’t as Simple as It Seems
Hirayama (Kôji Yakusho) cleans toilets in Wim Wenders 2023 film, Perfect Days. He cleans with perfect attentiveness and precision. Hirayama cares about what he does. He cares with the peacefulness of a man who seems happy in his very routine days. I say “seems” because living in the “now” as Hirayama has perfected, isn’t always…
Read MoreMY OLD ASS: A Fear of Goodbyes
18-year-old Elliott’s worst fear was goodbye. This fear persisted into her almost-40s, as we see when she encounters My Old Ass on a Shrooms trip in Megan Park’s film. You wouldn’t know Elliott was afraid to say goodbye with her repeated mantra that she can’t wait to get away. She’s even convinced her family. That…
Read MoreWICKED: Rage at Abuse Isn’t Wicked
John M. Chu‘s 2024 film, Wicked, shows us in spades what happens to an abused child. That’s Elphaba. Abandoned. Shamed. Blamed. Rejected. Bullied. Shunned. Of course, rage fills Elphaba. It’s a terrible injustice to label her Wicked. Elphaba’s no different than many abused children. Hungry for love, she keeps her hurt bottled up. Caters to…
Read MoreEMILIA PEREZ: Change Isn’t Trying to Make Your Old Self Disappear
Being who you are is the most important thing in the world. That often means change. But change isn’t about trying to make your old self disappear. Jacques Audiard’s Emilia Perez clearly shows how and why that doesn’t work. Going from one kind of hiding to another is never the answer. There are reasons for…
Read MoreANORA: Running From Pain
Pain. We see that in Anora, Sean Baker’s raw and brutally poignant new film. Pain. Although Ani, the film’s main character does her best to hide her feelings, mostly from herself, no one becomes addicted to sex (or drugs or alcohol) if they aren’t trying to escape unbearable pain. Ani and Vanya don’t want to…
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