The Big Sick, Emily V. Gordon, and Kumail Nanjiani’s touching, sad, scary, and deeply heart-warming romantic comedy tells us a lot about those old rules you live by. They’re not so easy to break. They turn into “should-s,” carry terrible guilt; they make you scared. And, along with all that, they confuse you. Particularly when …
“Leo Hurwitz’s task in life: creating and practicing the documentary film tied intrinsically to the quest for human freedom, liberation, equality, and truth.” Tom Hurwitz, Leo’s son. In 1926, Leo went to Harvard. This was quite an achievement for the Jewish son of working-class immigrants. Yet remarkably in line with the family’s intrinsic belief in, equality. …
Baby (Ansel Elgort) wants to change, but … stop running? That’s easier said than done. Especially if you’re a sweet, loving, sensitive kid (that’s Baby in Edgar Wright’s Baby Driver), whose cruel dad is responsible for your mom dying as you sit helplessly watching. What do you do with those terrifying memories? You grow up …
Memories and fantasies originating in childhood influence the course of a life as it unfolds. So do childhood experiences. That was true of Leo Hurwitz and his films. Leo’s strong creative spirit enabled these impressionable early times to find powerful forms of expression in his creative work. And, because of this, Leo’s films speak for …
PTSD always follows trauma. No traumatized person is “strong” enough to escape it. Yet, for complicated reasons, Post Traumatic Stress symptoms are too frequently off everyone’s radar, particularly the radar of the one suffering. The reasons are both straight out of the DSM-V and very individual. Jeff Bauman’s story in David Gordon Green’s powerful new film, Stronger, with Jake Gyllenhaal’s deeply moving performance as Jeff and Tatiana Maslany’s complex and engagingly real portrayal of his girlfriend, Erin Hurley, is a good place to start understanding what happens after trauma.
Leo Hurwitz (1909 – 1991), a pioneer documentary filmmaker, was part of a small group who founded America’s documentary film. Notably, Leo and his colleagues invented the social documentary form. According to his son, Tom Hurwitz, Leo’s films “exemplified a new way of making films about the real world. And about ideas that help us …
