27 Mar

Posted at 17:49h in Film by

Summer love on a deserted island isn’t real life. That’s the Gordian knot in Bergman’s 1953 Summer With Monika. This erotic and heartbreaking film tells the story of two adolescents caught in the throes of an idyllic love. It’s a love they both long for, given their troubled and sad early lives. And also an escape from life’s current cruelty and reality; which they can’t ultimately avoid. We all complicate love by what we bring from childhood. Bergman was no different. In his films, he wove an unconscious self-analysis as Barbara Young (2015*) rightly says. So, I think we can easily...

18 Mar

Posted at 09:29h in Film by

“One sleeps in one’s childhood’s shoes,” Bergman remembers Swedish poet Maria Wine, saying, and “that was the real starting point of Wild Strawberries.” (p. 212*) It’s true. And, some live inside the echoes of a cold mother. Every psychoanalyst knows how our childhoods slumber within each waking and dreaming moment of our lives, creating their repercussions. Like Dr. Isak Borg’s loneliness. A loneliness predicated on the need to stop emotional time; so not to feel anything. As we travel with Isak back to his childhood home, we see the chilling effects of his cold mother (and too many siblings in the...

14 Mar

Posted at 08:52h in Film by

The River’s family’s “I Got You” kind of love is If Beale Street Could Talk's most potent reminder of exactly what transcends hate, helplessness, and despair. We see it when Tish’s dad holds her: “I got you, baby, I got you.” When Tish says to her newborn son: “I got you. I got you. I promise.” And, when her Mama soothes her fears: “Love is what brought you into this world. If you trusted love this far, don’t panic now. Trust it all the way.” Yes, this kind of love is a steadfast love; love that doesn’t run away in...

06 Mar

Posted at 21:42h in Film by

Lee Israel has talent; she just doesn’t believe she does. We can see it in Marielle Heller’s Can You Ever Forgive Me. In the creative way she impersonates the letters of great writers, adding her own writerly wit; but, hiding behind their names. (In fact, the NY Times called her book: Can You Ever Forgive Me: Memoirs Of A Literary Forger, “a sordid and pretty damned fabulous book.”) That is, after she came out of hiding. Yet, if Lee doesn’t hide; she’s sure all she’ll get is criticism; and she can’t stand that. The real culprit, though, is that horrid...

05 Mar

Posted at 21:14h in Film by

A sentence to shame is worse than having no sanitary pads month after month. Period. End Of Sentence. This film, 2019 Oscar Winner for Best Short Documentary, shows us very clearly that you can’t do much as a girl in rural India if you’re bleeding. But, not only that. When old superstitions and taboos about menstruation prevail, and you’re seen as dirty or cursed; stigmatized and ostracized; it interferes with everything. Especially with hope; school; and being able to "rise and fly." Believe it or not, this is the state of affairs in parts of India in the 21st Century....

18 Feb

Posted at 04:46h in Film by

Hanging himself wasn’t Jackson Maine’s fault. Nor was his drinking. Yes, his brother Bobby said to the heartbroken, Ally: “It was Jack; not you; not me; Jack and no one else.” But, that’s because he didn’t understand. And, really, Jackson had the right idea: “A song is only an octave. Twelve notes and it repeats. Over and over forever.” Yet, that’s not only what happens in a song; it’s also in the musical undertones that play inside a life; octaves of the past; singing their haunting song. Only sometimes you can’t hear the words; especially when your trauma is in...

18 Feb

Posted at 00:21h in Film by

Heartlessness, and what causes it, is the theme in Ryan Coogler’s Black Panther; as far as I can see. More importantly, Black Panther shows us how heartlessness can “create a monster,” in an abandoned child now-man, with his slow-burning hate; vengeful rage; and need for power. And, certainly, we witness what heartlessness has to do with greed and fear. Yes, there’s a lot going on in Black Panther, and a child cast aside, because keeping secrets is more important than his loneliness or need, is at the center of the story. But, let’s go a bit farther. Let’s think about...

14 Feb

Posted at 11:53h in Film by

Bohemian Rhapsody tells Freddie Mercury’s story. But, not just the story of his ascent, decline, and resurrection at the Live Aid concert in 1985. Bohemian Rhapsody is much more the story of someone (anyone) who distrusts love; and who believes “going solo” and not needing anyone is the answer. It’s not. And, Freddie Mercury in Bohemian Rhapsody shows us why. We watch Freddie’s struggle, trying to manage doubts about love; by trying to find a likable self in the eyes of his audiences. And, when the glow of those eyes; that applause; their awe is gone; falls into an abyss...

11 Feb

Posted at 01:53h in Film by

Grief is a complex thing. Each of us grieves in our own way and for our own reasons. Alfonso Cuaron’s  sensitive and compelling Roma, tells the story of Cleo, a domestic employee and her employer, Ms. Sofia. We follow two very different women linked together in parallel universes of betrayal and loss. Two women with polar opposite reactions to grief. Grief brings turmoil; in its crashing waves or subtle surges; threatening to pull us down like the sea’s dangerous undertow. Grief’s eruptions aren't easy to manage. And, there are various ways grief is either felt, faced; or is not. Cleo...