THE END OF THE TOUR
Jason Segel Gets Inside
Foster Wallace’s Quiet Torment
Depression is outwardly a quiet torment. Inside it’s an almost constant implosion of self-deprecating self-doubt. That’s what we witness in director James Ponsoldt’s The End of the Tour – wrapped around David Foster Wallace like his famous bandana. Woven all-too-frequently into the substance of his conversation with David Lipsky: the ravages of a cruelly oppressive …