Posts by Dr. Sandra E. Cohen
LEAVE NO TRACE
What Happens When Trust
Is Shattered?
Debra Granik’s Leave No Trace is a story about trauma and distrust. That might not be the most obvious thing in this compelling film about a Vietnam Vet and his 13-year-old daughter who live in hiding in a park forest outside Portland, Oregon. But for me, as a psychoanalyst, it is the film’s heart. Will…
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OPERATION FINALE
One Man’s Holocaust Trauma
Helped Capture Adolf Eichmann
Peter Zvi Malkin’s Holocaust trauma worked in his favor to capture Adolf Eichmann, Hitler’s Chief Executioner; Head of the SS Office of Jewish Affairs, and the Architect of the Final Solution. At least that’s the Hollywood version of the story. It makes sense as PTSD goes. And, although Chris Weitz’s Operation Finale invented the dialogue…
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CABARET
How Quickly Freedom Disappears
It’s frightening how quickly freedom disappears. We have to watch out for those complicated forces, in the outside world and living inside us, that want to deceive us if we aren’t aware. Cabaret is a powerful and disturbing illustration, plus a startling reminder, of the various ways these dangers lurk. Over Labor Day weekend, I…
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CRAZY RICH ASIANS
How To Be The Winner
Over A Boyfriend’s Mother’s Envy
Jon Chu’s Crazy Rich Asians is about crazy wealth. But it’s really about so much more. It’s about the clashes between old money and new; privilege and disadvantage; American-born Asians and those calling Asia home; between following passion and giving into duty. Mostly it’s about a boyfriend’s mother’s envy. And, at the film’s center, we…
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THE WIFE
Why Do Some Women
Sell Their Souls Loving A Narcissist?
*Spoiler Alert: Don’t Read Until You’ve Seen This Film* The Wife slowly and disturbingly reveals many things about Joan Castleman (Glenn Close) and her marriage to 1992 Nobel Prize Winner, Joe Castleman (Jonathan Pryce). She’s lived a lie, loving a narcissist. Allowed it. She’s become merely “the wife.” But, when Joe asks her, as she…
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BLACKkKLANSMAN
Standing Up To Hate & Self-Hate
1970 Is Now
Spike Lee’s BlacKkKlansman is a brilliant, terrifying, and timely treatise on hate. The film tells Ron Stallworth’s true early 1970’s story (played by John David Washington): a courageous, harrowing, but ultimately foiled effort to expose the KKK and its virulent racial hate. Fuel it’s fires and hate justifies violence. Then is now: 1970 is 2018. Hate…
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