Archive for August 2015
BENT
Being Cruel
When Love Is A Scary Thing
Spoiler Alert: Some Plot Details Revealed Cruelty comes in different forms. We can’t escape the obvious in BENT: the unimaginable inhumane cruelty of The Nazi Party towards Gays and Jews. Yet, we see more than the Nazi’s cruelty in this brilliantly acted, honest, heart-wrenching, and inspiring play (written by Martin Sherman and directed by Moises…
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EMMY FOR JON HAMM?
Yes! For Portraying
A Traumatized Man
Jon Hamm deserves an Emmy for Don Draper. I agree with Variety’s Debra Birnbaum about that. But, I find it unfortunate that voters would only now consider awarding him that Emmy. As Birnbaum wrote, Jon Hamm likely hasn’t won in the past since “Don Draper … was a cheating husband, a neglectful father, an unapologetic…
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DONALD TRUMP
The Good & The Ugly
In His Political Incorrectness
The Good: We see exactly who he is – since Donald Trump has only contempt for any kind of political correctness. Most of us are politically correct because it reflects what we believe. Yet, political correctness for political correctness’s sake could hide what someone really thinks. The Donald isn’t self-aware enough to hide. He’s also…
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THE GIRL ON THE TRAIN
What’s In An Obsession?
Paula Hawkins’ New York Times bestselling novel, The Girl On The Train, gives us Rachel – a girl obsessed. There’s no question this novel is a mind-bending murder mystery par excellence. But, for me as a psychoanalyst, it poses a more interesting question. What’s behind Rachel’s obsession? Rachel Watson rides the train every day. She…
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THE END OF THE TOUR
A Self-Loathing Voice & Depression
The End of the Tour shows that a self-loathing voice can’t be allowed to take center stage. It makes you believe other people are thinking terrible thoughts about you too. You keep your distance. It’s a lonely place to be. David Foster Wallace’s short story, The Depressed Person, shows he knew that struggle well. So…
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THE END OF THE TOUR
Jason Segel Gets Inside
Foster Wallace’s Quiet Torment
Depression is outwardly a quiet torment. Inside it’s an almost constant implosion of self-deprecating self-doubt. That’s what we witness in director James Ponsoldt’s The End of the Tour – wrapped around David Foster Wallace like his famous bandana. Woven all-too-frequently into the substance of his conversation with David Lipsky: the ravages of a cruelly oppressive…
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