How a Psychologist Helps You Understand Trauma Through Film & tV Characters
Welcome to Characters On The Couch, my Film & Television site, where I delve into character psychology. If you’re interested in psychology, film, or a combination of the two, I bring my insights into your favorite contemporary and classic characters. I hope to help you understand their deeper psychological motivations (and, maybe, even your own).
When you think about truly iconic films, do you wonder what gives them such staying power? Is it the time of your life when you watched them? Is it the costumes or images that seemed unforgettable? Did one or more characters align with your struggles or painful experiences? Did you feel along with them? Or maybe, it’s simply that the film pulled at your heart and caused you to explore emotions in a new and profound way?
I say it’s all of the above. And, in the same way, when these meaningful elements are missing, a story becomes forgettable. I hope this site will encourage you to transform your story, personal or in writing, into magic by finding the human thread that links it and you to a universal experience.
Everything in life ties us back to complex emotions and the rhythm and language of feelings and psychology. I'll offer your that language of feeling in my blog as I write about the human struggles in each film.
LEO HURWITZ
ESSAY ON DEATH
IN MEMORY OF JFK 1964
“A very dangerous and uncertain world, the President said on that last day …” Leo Hurwitz’s Essay On Death (Watch Film) speaks to death’s randomness. Of course, JFK’s murder wasn’t random. But death can come out of nowhere at any time. And, that means we live constantly with the fragility of life. At the same…
THREE BILLBOARDS
OUTSIDE EBBING, MISSOURI
How Does The Buck Finally Stop?
Martin McDonagh’s darkly comic and deeply painful Three Billboards Outside Ebbing, Missouri gives us a tough look at how anger and blame is one (ineffective) way of trying to handle very difficult feelings. We have Mildred Hayes (Frances McDormand), a bereaved mom: hardened, blunt, feeling uncharacteristically helpless, and furious about it. The town’s much loved…
LEO HURWITZ
HERE AT THE WATER’S EDGE 1961
Seeing What Needs To Be Seen
Leo Hurwitz’s film, Here At The Water’s Edge (Watch Film), features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and…