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How a psychologist thinks about your favorite

Film & TV characters.

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Welcome to Characters On The Couch, my Film & Television site, where I delve into character psychology. If you’re interested in psychology, film, or a combination of the two, I bring my insights into your favorite contemporary and classic characters. I hope to help you understand their deeper psychological motivations (and, maybe, even your own).

When you think about truly iconic films, do you wonder what gives them such staying power? Is it the time of your life when you watched them? Is it the costumes or images that seemed unforgettable? Did one or more characters align with your struggles or painful experiences? Did you feel along with them?  Or maybe, it’s simply that the film pulled at your heart and caused you to explore emotions in a new and profound way?

I say it’s all of the above. And, in the same way, when these meaningful elements are missing, a story becomes forgettable. I hope this site will encourage you to transform your story, personal or in writing, into magic by finding the human thread that links it and you to a universal experience.

Everything in life ties us back to complex emotions and the rhythm and language of feelings and psychology. I'll offer your that language of feeling in my blog as I write about the human struggles in each film.

THREE BILLBOARDS
OUTSIDE EBBING, MISSOURI
How Does The Buck Finally Stop?

Martin McDonagh’s darkly comic and deeply painful Three Billboards Outside Ebbing, Missouri gives us a tough look at how anger and blame is one (ineffective) way of trying to handle very difficult feelings. We have Mildred Hayes (Frances McDormand), a bereaved mom: hardened, blunt, feeling uncharacteristically helpless, and furious about it. The town’s much loved…

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LEO HURWITZ
HERE AT THE WATER’S EDGE 1961
Seeing What Needs To Be Seen

Leo Hurwitz’s film, Here At The Water’s Edge (Watch Film), features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and…

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LEO HURWITZ’S
THE MUSEUM AND THE FURY 1956
Remember The Dangers Of Fascism

Let’s remember the threats of fascism. Forgetting is a very dangerous thing. And, Leo Hurwitz’s film, The Museum and The Fury 1956,  shows us why. Yet we do forget when we don’t want to see what exists on our own soil. Leo’s 1948 film Strange Victory details the seeds for fascism in America: racism, antisemitism, and…

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