How a Psychologist Helps You Understand Trauma Through Film & tV Characters
Welcome to Characters On The Couch, my Film & Television site, where I delve into character psychology. If you’re interested in psychology, film, or a combination of the two, I bring my insights into your favorite contemporary and classic characters. I hope to help you understand their deeper psychological motivations (and, maybe, even your own).
When you think about truly iconic films, do you wonder what gives them such staying power? Is it the time of your life when you watched them? Is it the costumes or images that seemed unforgettable? Did one or more characters align with your struggles or painful experiences? Did you feel along with them? Or maybe, it’s simply that the film pulled at your heart and caused you to explore emotions in a new and profound way?
I say it’s all of the above. And, in the same way, when these meaningful elements are missing, a story becomes forgettable. I hope this site will encourage you to transform your story, personal or in writing, into magic by finding the human thread that links it and you to a universal experience.
Everything in life ties us back to complex emotions and the rhythm and language of feelings and psychology. I'll offer you that language of feeling in my blog as I write about the human struggles in each film.
THE LAST BLACK MAN
IN SAN FRANCISCO
When There’s No Home
In A Mother’s Heart
What are the basic ingredients in Joe Talbot and Jimmie Fails’s The Last Black Man In San Francisco? An old Victorian house. A young man who has no home. A mother who abandoned him and can’t keep him in her heart. A necessary fantasy. A Greek Chorus (that speaks the anger, hate, and under it,…
WINTER LIGHT
Ingmar Bergman (1963)
A Man Who Cannot Need Cannot Love
Reverend Tomas Ericsson is a man who cannot need. And, because he can’t, he struggles with both God and love. Tomas over and over coldly rejects his desperately loving former lover, Marta. Ingmar Bergman’s Winter Light 1963, slowly reveals the source of his loss of faith. Tomas loved his dead wife: “When she died, so…
THROUGH A GLASS DARKLY
(Ingmar Bergman, 1961) Can A Cold, Stony-Faced Father
Drive A Girl Insane?
Can a cold narcissistic father drive a girl insane? The short answer is yes. Wilfred Bion defined psychosis as hatred of reality. And, what is there to love about the reality of a self-obsessed father who cares more about his own desires than his children? Facing that is horror. We see it in Through A…
