How a psychologist thinks about your favorite
Film & TV characters.
Welcome to Characters On The Couch, my Film & Television site, where I delve into character psychology. If you’re interested in psychology, film, or a combination of the two, I bring my insights into your favorite contemporary and classic characters. I hope to help you understand their deeper psychological motivations (and, maybe, even your own).
When you think about truly iconic films, do you wonder what gives them such staying power? Is it the time of your life when you watched them? Is it the costumes or images that seemed unforgettable? Did one or more characters align with your struggles or painful experiences? Did you feel along with them? Or maybe, it’s simply that the film pulled at your heart and caused you to explore emotions in a new and profound way?
I say it’s all of the above. And, in the same way, when these meaningful elements are missing, a story becomes forgettable. I hope this site will encourage you to transform your story, personal or in writing, into magic by finding the human thread that links it and you to a universal experience.
Everything in life ties us back to complex emotions and the rhythm and language of feelings and psychology. I'll offer your that language of feeling in my blog as I write about the human struggles in each film.
THE SILENCE
Ingmar Bergman (1963)
Why Silence Can Be Loud & Lonely
Silence isn’t always golden. Not in Ingmar Bergman’s book. And, his various film treatises on silence speak to us loudly on many planes of emotional existence, and those planes are never smooth. Of course, silence can provide a necessary space for personal truths to appear. For imaginings to ripen and take hold. Or, a respite…
A MAN AND A WOMAN 1966
Old Grief Can Interfere With New Love
Even beautiful love stories have their complications when grieving for an old love isn’t over. Claude Lelouch’s captivating film A Man And A Woman 1966 has a lot to say about what it takes not to turn away from a new chance to fall in love. It’s in the story Jean-Louis tells Anne early in…